Metropolis, 1927
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Wiesław Wałkuski (b.1956, Białystok, Poland) - For Andrzej Wajda’s Danton Polish Posters
Wanna learn?
Andrzej Pagowski (b. 1953, Warsaw) - For Krzysztof Kieslowski’s Bez Konca / No End, 1984 Polish Posters, Film
Opening Film
“The Great Gatsby” (dir. Baz Luhrmann)
Official Selection
“Behind The Candelabra” (dir. Steven Soderbergh)
“Borgman” (dir. Alex Van Warmerdam)
“Un Chateau En Italie” (dir. Valeria Bruni-Tedeschi)
“La Grande Bellezza” (dir. Paolo Sorrentino)
“Grisgris” (dir. Mahamat-Saleh Haroun)
“Heli” (dir. Amat Escalante)
“The Immigrant” (dir. James Gray)
“Inside Llewyn Davis” (dir. Joel & Ethan Coen)
“Jeune Et Jolie” (dir. Francois Ozon)
“Jimmy P” (dir. Arnaud Desplechin)
“Michael Kohlhaas” (dir. Arnaud Despallieres)
“Nebraska” (dir. Alexander Payne)
“Only God Forgives” (dir. Nicolas Winding Refn)
“The Past” (dir. Asghar Farhadi”)
“Soshite Chichi Ni Naru” (dir. Hirokazu Kore-eda)
“Tian Zhu Ding” (dir. Zhangke Jia)
“Venus In Fur” (dir. Roman Polanski)
“La Vie D’Adele” (dir. Abdellatif Kechiche)
“Wara No Tate” (dir. Takashi Miike)
Out Of Competition
“All Is Lost” (dir. J.C Chandor)
“Blood Ties” (dir. Guillaume Canet)
Un Certain Regard
“Anonymous” (dir. Mohammad Rasoulof)
“As I Lay Dying” (dir. James Franco)
“Bends” (dir. Flora Lau)
“The Bling Ring” (dir. Sofia Coppola)
“Death March” (dir. Adolfo Alix Jr)
“Fruitvale Station” (dir. Ryan Coogler)
“Grand Central” (dir. Rebecca Zlotowski)
“L’Image Manquante” (Rithy Panh)
“L’Inconnu Du Lac” (dir. Alain Guiraudie)
“La Jaula De Oro” (dir. Diego Quemada)
“Miele” (dir. Valeria Golino)
“Norte, Hangganana Ng Kasaysayan” (dir. Lav Diaz)
“Omar” (dir. Hany Abu-Assad)
“Les Salauds” (dir. Claire Denis)
“Sarah Prefere La Course” (dir. Chloe Robichaud)
Midnight
“Blind Detective” (dir. Johnnie To)
“Monsoon Shootout” (dir. Amit Kumar)
Special Screening
“Max Rose” (dir. Daniel Noah)
“Weekend Of A Champion” (dir. Roman Polanski)
“Muhammad Ali’s Greatest Fight” (dir. Stephen Frears)
“Stop The Pounding Heart” (dir. Roberto Minervini)
“Seduced & Abandoned” (dir. James Toback)
“Otdat Konci” (dir. Taisia Igumentseva)
“Bombay Talkies” (dir. Anurag Kashyap, Dibakar Banerjee, Zoya Akhtar, Karan Johar)
Closing Film
“Zulu” (dir. Jérôme Salle)
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The best tribute to Roger Ebert would be to read the words about film he wrote. I’m going to go through the posts bohemea made last year that quoted his best reviews and reblogged them today.
The dark and cold weigh down everything, and in the middle, in their warm cocoon, are Chief Marge and her hubby, Norm, the painter of ducks. Without them, Fargo might have been In Cold Blood laced with unseemly humor. The Coens sometimes seem to scorn their characters, but their love for Marge redeems Fargo. Marge is the catalyst, and her speech at the end is Shakespearean in the way it heals wounds and restores order: “There’s more to life than a little money, you know. Don’t you know that? And here you are. And it’s a beautiful day.”
- Roger Ebert on Fargo
R.I.P. I will miss you; you guided me to hundreds of unbelievably great films.
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Percentages
GIF
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GIF - Nosferatu
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“Yes, we’re men. Men is what we are.”
CLASSIC, love this one.
GIF - Vintage Film
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